Trends and Practice of Architecture

The economic crisis being experienced by the United States had a global impact, directly affecting many industries and businesses. Within the practice of architecture and other disciplines, has lowered the number of projects received, profits, and unfortunately the number of staff. In the article, Understanding Mega trends Helps Firms Plan for the Future, the author BJ Novitski, start questioning whether there are indeed ways that could have been prevented or at least mitigate the effect of this financial crisis, within architecture firms. Novitski presents an interpretation based on some statements that Keagan McLean Raymond made in which notes that the understanding of trends can prevent the effect of future events and also reveal new opportunities. In essence, these statements are true. Individual, company or industry being aware of the trends may be helpful into preparing to stay ahead of the times.

Another approach that the author is very constant within the world of work and architectural firms is the overcrowding of the generation of baby boomers as a factor by which the younger architects are the first fired in times of make staff cuts and get the lowest-paid positions. I agree that this is one reason why there are fewer young architects prepared to take control of the firms as the architects of the generation of baby boomers retire. This aggravates the situation by being denied the opportunity and poster gate junior architects to develop their technical and business skills.

Trends and Practice of Architecture

Trends and Practice of Architecture

 

The fact is evident when a recent graduate in need of employment and faces the classifieds only to realize that most of the available positions are aimed at senior architect with eight years experience or more. On the other hand, I do not agree that these architects should be encouraged junior necessarily a very experienced architect to develop their business skills and leadership, motivation must come primarily from its interest.

Finally, in times of crisis, it is important to have a clear vision of future trends. This allows us to be at the forefront and thus secure to avoid or at least mitigate the negative effects to strategically position ourselves. I think life can be measured on the basis of 90/10 principle, introduced by Steven Covey. [1] This principle says that life is determined by a 10 percent what happens to you and 90 percent is determined by the how you react to those who happen to you.

What does this mean? Means that although we have not actually control 10 percent of what happens to us in life. For example, the economic crisis or not finding employment. The other 90 percent we determine ourselves with our reactions. While we have no control, we can be ready to react when things happen in a way where we can stay afloat while everything collapses around us. Then it is absolutely necessary, as stated by the author, change the focus of the practice to be in tune with the current demands of the world to be aware of trends not only allows you to protect you but let’s turn situations to your advantage.

Video documentary: Bauhaus Building in Dessau

With clarity and functionality intended to meet all the needs of the people, in a universe of glass, cement and metal in which the formis submitted to the function. Bus stops and buildings designed by the masters of “modern architecture” and “New Objectivity” alsoteapots, paper sculptures, tapestries, dolls and ashtrays threepoints. The Bauhaus design intended to meet the needs of the people, not luxury. This exhibition focuses on the material generatedduring classes at the School of Design, as it is intended to focus,above all, the desire interdisciplinary institution founded by Walter Gropius in Weimar in 1919 for political reasons and had to move to Dessau in 1925.

 Gabó

I share with you a very good video documentary on the building of the Bauhaus in Dessau. Enjoy it.

Documentary Language: English

Charrete: The Brion Tomb, San Vito d’Altivole,Treviso, Italy.

The purpose of this project was to design an object charrete funeral then choose a type from the following:

1. mausoleum

2. cenotaph

3. chapel

4. sculptural monument

01

The object and the selection of the type should meet the guidelines defined by J. Marston Fitch (Establezer a dialogue with the past and the context) and Anton Capital (Reflecting a contemporary vision of death and death rituals).

The object must exceed a surface area of  100 square feet and limited 1500 cubic feet above the ground.

Time Limit: 9:00 AM – 9:00 PM 8hrs

After thoroughly investigating the Brion family cemetery designed by architect Carlos Scarpa decided to intervene by making use of a cenotaph. This cemetery contains many things but nothing shows hierarchy. This intervention will have the intention of framing the area where the tour begins. This cenotaph is composed of some elements of which water will come out. Scarpa uses water as a symbolic element that links life and death.

Charrete: The Brion Tomb, San Vito d’Altivole,Treviso, Italy.

Charrete: The Brion Tomb, San Vito d'Altivole,Treviso, Italy.

Case Study Analysis: Apartment in Rue des Suisses

 

This project involved the analysis of a work of multifamily housing, in this case, the apartment building in Rue des Suisses in Paris, France. The purpose of this housing study was to understand in detail the nature and learning strategies for their resolution.

Rue des Suisses Housing

Rue des Suisses Housing

Date of construction: 1996-2000

Area: 20 m. X 150 m

Lot area: 3,000 S.M.

Area of occupancy: 810 S. M.

Density: 3,860 Total S.M.

Free space: 2,190 S.M

Type of structure: perimeter block, courtyard / infill

Quantity of Apartments: 57 (110 S.M e / a)

Levels: 7,7,3,2

Parking: 50 underground and bicycle zone

 

 

Case Study Analysis :

 

 

 

 

House for a Jazz Musician

In this design course second year, raised the couple design a house even jazz musician. To be more specific about the needs of the musician, the client went from being a purely abstract to a real one. They contact William Cepeda jazz musician who attended college and was able to interview to find out their requirements and needs.

William Cepeda jazz musician

William Cepeda jazz musician

William Cepeda jazz musician

William Cepeda jazz musician

 

William Cepeda jazz musician

William Cepeda jazz musician

William Cepeda jazz musician

 

 

Set Design: The Evil Spell of the Butterfly

The Evil Spell of the Butterfly by Garía Lorca, It is a complex work in its gestation and disturbing in its outcome. Starring insects, is a story that creates a game modernist poetic scenes, costumes and choreography in a parable in which the author wants to represent, through allegorical approach, frustration and helplessness of the feelings, aspirations, the contradictions and the search for values for both you and a world without certainties.

This scenery worked for  a Set Design course  at the School of Architecture at the Polytechnic University of PR based on the design critic of Professor  and architect Jaime Suarez.

At first I started to work a model but as time went on I realized that the design work as a three-dimensional computer model was more flexible. The model worked it in Sketchup and rendering in Cinema 4d. Here I present photographs of the design process.

Initial models:

Initial Model Tridimensional Model for Act Il

Initial Model Tri-dimensional Model for Act I

Initial Model Tridimensional Model for Act II

Initial Model Tri-dimensional Model for Act II

 

Graphic Presentation for the title Page

Graphic Presentation for the title Page

 

The end result of three-dimensional model

The end result of three-dimensional model

More Pictures for the ”The Butterfly’s Evil Spell” set design:

Video of the play “The Butterfly’s Evil Spell”, made  in Windows Movie Maker, using the set designed: